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reminiSCENT
reminiSCENT Install Photographs
by
Megan Fizell
on
Aug 1, 2018
•
12:47
No Comments
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Todd Fuller,
Ode to Troughman
(2018); Bill Noonan,
can’t see the forest for the trees
(2018); Claire Anna Watson,
Sous Bois Generator
(2018); Jayne McSwiney,
Sweet Dreams (Truth Serum)
(2018); Mylyn Nguyen,
Monkey Ba
(2018); Susanna Strati,
Reliquary – Orb of Love and loss
(2017); Melinda Young, Scented neckpiece series (2018); Janet Tavener,
Bacon & BBQ Sauce
(2018); Janet Tavener,
The Last Seed
series (2018); Liz Henderson,
Untitled
(2013); Archie Moore,
Dis infected
(2018); David Capra,
Eau de Wet Dogge
(2015-16).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Melinda Young, Scented neckpiece series (2018); Janet Tavener,
Bacon & BBQ Sauce
(2018); Janet Tavener,
The Last Seed
series (2018); Liz Henderson,
Untitled
(2013); Archie Moore,
Dis infected
(2018); David Capra,
Eau de Wet Dogge
(2015-16).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Melinda Young, Scented neckpiece series (2018); Liz Henderson,
Untitled
(2013); Janet Tavener,
Cinnamon Donut
(2018); Janet Tavener,
Coffee
(2018); Janet Tavener,
Bacon & BBQ Sauce
(2018); Janet Tavener,
The Last Seed
series (2018); David Capra,
Eau de Wet Dogge
(2015-16).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Todd Fuller,
Ode to Troughman
(2018); Melinda Le Guay,
Collected Gathering
(2018); Claire Anna Watson,
Sous Bois Generator
(2018); Mylyn Nguyen,
Monkey Ba
(2018); Janet Tavener,
Lemon
(2018).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Melinda Le Guay,
Collected Gathering
(2018); Todd Fuller,
Ode to Troughman
(2018); Mylyn Nguyen,
Monkey Ba
(2018); Bill Noonan,
can’t see the forest for the trees
(2018); Claire Anna Watson,
Sous Bois Generator
(2018).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Todd Fuller,
Ode to Troughman
(2018); Bill Noonan,
can’t see the forest for the trees
(2018); Mylyn Nguyen,
Monkey Ba
(2018); Claire Anna Watson,
Sous Bois Generator
(2018).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Janet Tavener,
Chocolate Fudge
(2018); Janet Tavener,
Cinnamon Donut
(2018); Melinda Young, Scented neckpiece series (2018); Janet Tavener,
The Last Seed
series (2018); Archie Moore,
Dis infected
(2018); Liz Henderson,
Untitled
(2013).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Todd Fuller,
Ode to Troughman
(2018); Bill Noonan,
can’t see the forest for the trees
(2018); Claire Anna Watson,
Sous Bois Generator
(2018); Jayne McSwiney,
Sweet Dreams (Truth Serum)
(2018); Mylyn Nguyen,
Monkey Ba
(2018); Susanna Strati,
Reliquary – Orb of Love and loss
(2017).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Melinda Le Guay,
Collected Gathering
(2018); Claire Anna Watson,
Sous Bois Generator
(2018); Jayne McSwiney,
Sweet Dreams (Truth Serum)
(2018); Mylyn Nguyen,
Monkey Ba
(2018).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Melinda Young, Scented neckpiece series (2018); Mylyn Nguyen,
Monkey Ba
(2018);
Archie Moore,
Dis infected
(2018); Liz Henderson,
Untitled
(2013);
Susanna Strati,
Reliquary – Orb of Love and loss
(2017); Jo Burzynska,
La Chevelure
(2016).
Installation view,
reminiSCENT
, MAY SPACE, Sydney, NSW, Australia, 25 July to 11 August 2018.
Artworks (left to right): Janet Tavener,
The Last Seed
series (2018); Archie Moore,
Dis infected
(2018); Janet Tavener,
Lemon
(2018).
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Seer as Seen: Maurice Merleau-Ponty’s concept of reversibility applied to food-art
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